first 500 pieces only in limited printed sleeve - first come first served. second edition repress will ship at the same time without picture sleeve but with a new printed insert. blackest ever black return following tropic of cancers recent hit (blackest003). blackest ever black is proud to present in a syrian tongue: karl o connors first solo ep as regis in ten years. on the a-side is >blood witness<, is sleek, predatory techno for sex workers and serial killers, on the b-side a slower, noisier live edit of the same track by o connor and mick harris (aka scorn) that accentuates its rugged breakbeat architecture, and then >blinding horses<, a suitably pummelling, punishing hymn to desert conflict ancient and modern. across these three tracks, regis showcases a sound that delivers the industrial intensity of his vintage downwards work, the elegance and swing of his sandwell district contributions, and a seemingly new ingredient: something powerfully, irreducibly blackest ever black. blackest ever black is a london-based label home to releases from raime, regis and tropic of cancer. this is regiss second contribution to its catalogue, following his remix of raimes >this foundry< (blackest002).

isn t it astounding how musikkrause manages to change direction? on one hand you can find albums from feindrehstar and ian simmonds, as well as a number of diverse features. maximum is the catchword. who can bring bona fide, raw, full-service techno for a deep seated mind fuck? berk offset of whom the technoiden world out there is no stranger, has the answer at the ready with a 2x funky, dada techno for culture-drunks and solar plexus-beatniks. the flowing lyricist rainer maria silke is known as the techno-activist part of two duo s. together with the japanese tanaka hideyuki he celebrates an abundant frizzle-fest ornately, bound with alex kork under the handle error as cannibal cooking club to a freaky loud industrial-techno with an experimental edge. added to that he is a manager of the label 9volt-musik which blithely ignores the trends but instead serves a challenging techno sound. the raveline supported, 22nd release from their catalog stromberk recently bagged a record of the month! for musikkrause berk offset mimes the dead doris with a filthy straight-lined techno avant garde for a life in the dance floor heavens. he is the charming psychiatrist with the melting grin and the right medicine in his frock, who muses from time to time over the effectiveness of shock therapy.

emphasis recordings is proud to present the latest tang single, >bass synergy<! the title track continues in that chicago/detroit vibe that we all come to know from tang. it starts off with a bass heavy, industrial styled, drum programming before a pulsating bass comes riding along a funky melody. just when you think you got the beef of the track, things break down to rumbling arppegiated bass roll. then boom! both basslines and percussion come back in for the for the finish! did i mention theres strings?

the screen vinyl image / rude 66 split 7 inch takes dark industrial electro sounds and edgy wax trax / 4ad era guitars and pushes them to the outer limits, offering up a heavy dose of new-wave futurism.

young talented producer steve lorenz from italy combines his techno tracks with fusion basses and deep kicks that features cool grooves of industrial sounds in constant evolution. techno, detroit, minimal, dub are delivered with a depth and resonance of sound that is absolutely unique.

ppm makes music on the borderline of industrial and dub. their tracks are created in a process where live-jamming, remixing and sound exploration are vital parts. ppms debute ep is a fine mix of tracks produced during the two years since they started. the release on white vinyl is limited to 300 numbered copies.

sa010 presents three uncompromising visions from xhin, go hiyama and donor. a1 is xhins aggressive return to wax on sa. >hepta< is a gnarling, snarling tale that erupts into acrid broken beat. this track comes from xhin s new studio sessions, and it anticipates the coming of his most ambitious project yet. b1, >tasu<, comes from a new addition to the sa fold, go hiyama. >tasu< is hard, industrial and dub-filled in precisely the right quantities. >tasu< is perfectly swung peak-time techno and a foretaste of the monad chapter that go hiyama is currently crafting. donors flipside, >lapse<, shares the deep atmosphere that permeated his monad ii and sampler series releases. while hi hats sneak into the foreground and the background is punctuated by murmuring vocals, lapse gathers velocity around the weight of its bassline.

jin choi is a musician, producer, dj and live artist based in berlin, germany. equally focused on groove and melodic structures, his music fuses electronic and naturalistic sounds to move the head and body. once coined modern minimal, chois productions are equal parts emotion, melody and rhythm. full range is his first release on serialism records. in a recent interview, choi described himself as a burial loving music-nerd who is simply trying to create his own musical language. he has released on lessizmore, contexterrior, romanphoto & archipel, to name a few. for ser10, he joins forces with maceo plex (aka maetrik, the moniker he saves for his darker techno productions) to do just that. most known for his recent revered deep-house single, vibe your love on crosstown, plex makes the release the perfect late-night tool. first up is full range, a dubby tech-house number with ominous and increasingly glitchy repetitive vocals that remind the listener of what choi seems to already know - music is the universal language, music is no longer irrelevant. next, half baked, the eps star, manages to perfectly fuse industrial sounds with melody making a blissed-out, deep- house track. mysterious squeaks, hisses and factorial inner workings provide the backdrop while warm time-stretched freestyle vocals guide us through the production. maceos deep remix is around 9-minutes of chicago house inspired sounds layered with snappy high hats and emotive chords.

after the roaring success of nicolas jaars space is only noise album the fine curatorial heads at circus company hq have enlisted 2 of their nearest, dearest and most talent co-conspirators for the first round of remix duties. having built a cult following and peerless reputation for his remixes of everyone from roy ayers to cassius, pépé bradock turns in no less than 3 versions of too many kids finding rain in the dust. the proceedings begin with his blind pig mix, an echoing tunnel of balkan strings and dusty samples connecting the lands of disco and hip hop to blinding effect. the train fantôme poke follows and is certain to find its way into many a discerning dj bag in the weeks and months to come, with its mathew herbert-esque syncopations and grinding industrial scrapes and psychedelic whispers. dave aju takes up the baton on the flip turning the albums title track into the kind of late 80s dance floor work out martin hannet would have been proud of, certain to appeal to fans of recent work by matias aguayo, rebolledo and the comeme camp.

steve lorenz is the guy you will have to look for in the next months. he works around many musical influences. the first track >overclock< evolves into fat basses, bursted kicks & percussions. >overclock< remix, operated by damon wild international acclaimed and legendary synewave boss label (joe beltram/ jeff mills / adam beyer…,), results in an energic deeper techno, mental beats & dubby influences, a mind blast! the track >viraga< keeps the finest line. industrial noises & subliminal female voices are twisting in speakers & surely ll keep your head! close your eyes & start the journey. closing the race, >viraga< remix was realized by narrow friend kane roth (smallroom / lessismore), south french producer who recently moved to berlin. her production means well being quality, there is no coincidence if she has been remixed by maetrik & monoloc some months ago. keeping essential elements of the original viraga , she dropped a muscle main floor edit! hands up!
support from deetron, renato cohen, angel molina, claude monnet, loulou players, ashley beedle (x-press 2), hector romero, southmen (yoshitoshi), aga heller, corbin dooley, tim richards, esben b, mister no (motor), crystal method, aldrin ...

if there is any country fitted for hard techno its poland and that just happens to be the country mental crush is from! devastating hard beats from the industrial part of the planet. dark, heavy, dark, nasty, hard and did we mention dark?

celebrated spanish techno artist ascii.disko returns to biatch corp for release number 13 on the label with two divergent remixes from taster peter and jussi-pekka. the original version is an intriguing slice of rough hewn techno, exactly the kind of ruggedness on the dance floor ascii.disko has become well-known for. rising italian techno producer taster peter significantly re-works the track in to a dark, peak hour chugger complete with rolling drums and polyrhythmic glee that cannot be easily ignored. rounding out the three-track release is a remix from finnish star jussi-pekka. giving the source material a wild ride that combines a shuffling house beat, funky latin percussion, and even a slight hint of yello. his re-interpretation strips away the industrial strength techno edge of the original and replaces it with a warm, inviting deep house vibe that will get dance floors jumping for joy.

die zweite maxi auf dem aus manchester stammenden label brutal music kommt von dem geheimnisumwitterten produzenten cherrystones, der unter dem namen godsy für das new yorker kultlabel whatever we want records aktiv ist. die ep enthält drei stücke, die ihre vorliebe für krautrock, industrial, soundtracks, no wave und disco erst gar nicht verleugnen.

claque musique ready to unleash their latest offering, from an artist who has become a key member of the claque family, rio padice. having in recent years devoted time to learning the production techniques of the 90s, blending the use of software, hardware and sampling, his productions, unlike so much of the current trend for looking back, have a mature and studied classic sound and feel to them. his work this year has seen firmly rooted in the front of the most discerning of record boxes.rio follows his remix of micro_on (claquemusique10) with his very own woodland ep. as we have accustomed to, rio delights us with another selection of tracks that see him exploring and bringing together the best in classic sounds with his very own fresh contemporary spin. the beautiful trip through woodland opens the ep. a dreamy bass-heavy acidic number. much different is ocrons land, with its static sounds and almost industrial feel. mutant camels with its bubbling bass, rasping hats and dromedary movement rounds out the originals. remixing the title track is padova born alex picone. renowed for his releases on bass culture, mus and cadenza and fresh from the success of his fahrenheit single, alex ramps things up for the dancefloor on woodland, replacing the original acid line with some fresh guitar licks. perfect!

kubrak, one half of dynamic production duo utopia, previously featured on brd003, with his solo effort ‘fast forward’. cementing his name as one of the emerging artists to keep your eye on in 2009, kubrak has gone one step further to unveil his first solo release on breed 12 inches. yet another russian (one of 5 to appear so far on breed’s back catalogue), kubrak captures the industrial movement of his home country, in such a manner that results in a legion of fans. unrelenting, much like his homeland, his production output is in your face, whilst keeping your feet firmly planted with inventive and progressive melodic based arrangements.

lory ds idiosyncratic take on techno is an all-analogue assault on the senses, a soundtrack to the end of the world punctured by shards of acid and twisted metal soundscapes. a john carpenter for the rave generation, so to speak. the enigmatic lory is something of a legend in his native city of rome, where the former dmc champion was responsible for introducing his compatriots the sounds of techno, acid and hardcore with 5.000 strong raves featuring ritchie hawtin, underground resistance, joey beltram and lfo. his label sounds never seen was the soundtrack to these raves – an industrial yet sometimes beautiful vision of techno where drexciya, frankie bones and spk jammed in the roman sewers.

brand new on exit records from arguably one of the most prolific artists this year asc – this release follows on nicely from his more experimental direction showcased on his auxiliary label. discordant almost industrial-esque soundscapes with an amazing depth, these tunes have been aired regularly by the likes of dbridge, instra:mental and more. dont sleep on this one!

black repress !!! 2nd release by tropic of cancer aka camella lobo and john mendez (aka silent servant, sandwell district) for downwards brings more industrial drones and distorted voices. comes with a remix by richard h. kirk. pressed on clear/translucent 10 inch vinyl in stampnumbered cardboard sleeve. better be quick - the do2 from 2009 sold out in no time!

aconito records presents a new, limited-edition, vinyl only, collaborative release: the achromorphe, a unique vision of a bleak, industrial future ruled by mechanical chaos.
the record is brought to order with label head nax_acids introduction of crackling electricity and mechanical gasps, a beat-less soundscape that reveals a growing chorus of wretched, moaning drones.

**hand-stamped white label, limited edition of 400** four effluvial techno and industrial bass weight remakes of tracks from cloaks debut lp by ancient methods, justin broadrick, oyaarss, and legion of two. >versus grain< was one of the darkest transmissions we caught in 2009, whose rotten and rusted fruits provide brilliantly raw material for the remixes. its worth the cost of entry alone for ancient methods nine-minute viking ruffige remix of >r.f.i.d, the kind of northern european tribal funk workout that makes folk dance like they mean it. on a more crushed and crushing tip, legion of two dole out scorn-strength percussion and muscle tearing bass torsion on a remake of >against<, while oyaarss dismantle >sixmenace two< and rebuild it as frankensteinian dancefloor monster. to polish off the foolhardy few still standing, justin broadrick (jesu, godflesh) detonates >rust on metal< with bombastic halfstep force, giving a bitter taste of what to expect from his 3by3 album, due out next year. heavyweight.

oddstream, a multi-day festival of radical communication and multimedia will take place between the 1st and 5th of june 2011 in and around the vasim, a former industrial factory in nijmegen. the festival consists among others of exhibitions, multimedia installations, debates, lectures, art performances, music and film. there will be three clubnights and some of the perfoming artists are featured on this double lp, including digital audiofiles. coloured marbled vinyl. artists: applescal, grimm limbo, coco bryce & jon lemmon, stagga, kubus, t.raumschmiere, alec empire, rude 66 & sensory overload. shipwrec records is on a roll!

the 2nd album to be unveiled from nation is called >creep acid< from jtc who has recorded with spectral, m>o>s, relief, creme presents this very special full length production.
he was driven by thoughts about the lifespan of many things. >creep acid< carries the resonance of future past.

a sound odyssey to stir you through the night. on the flip you will find reset robot adding weight to the undercurrents of the original and giving it a heavier, industrial point of view.

welcome to 8th edition of datablenders indoctrinated madness. a side hosted by duo hexor and tommy rockz from germany with carefully produced production that will shake any club or festival event.b-side: occupied by dj hammond who delivers best of hardtechno. 4 extreme tracks, no doubt tomorrows must have for all techno and industrial djs. did we mention all tracks are around 160bpm? furious!

hh3 is a techno masterpiece by top notch producer bill youngman. its futuristic and cold. massive dark drones and ambience build up its very unique atmosphere. for their remix of hh3, techno shooting stars sandwell district added some industrial flavor. imagine a steel worm drilling its way into the dancers souls and you almost got it. the last track of the ep entitled trilogy, shows another totally different side of bill: electronica thatís been made to tear your heart apart. wicked!

oliver hos label wires returns soon with the third installment, >nothing ep< by raudive. this release sees oliver pushing the raudive sound into a darker area featuring industrial influences within the techno grooves. the ep starts off with >shiver<, featuring an organ drone overlaid with bursts of resonance and feedback, with the repeated vocal phrase, >the sun sets inside you<. next comes >>nothing<. a strange wood block sound rides over the heavy groove, with synth stabs and echoing vocal sounds, it is relentless and hypnotic. we continue with >sigil<, the combination of monotone bass and synth stabs with the strange primal moan produce a creepy groove, - gothic techno maybe... finally we have >dial<. the last track finishes the ep off with heavy drones and white noise feedback, bringing to mind the relentless tones of lou reeds metal machine music.

blackest ever black returns for 2011 with a new ep of crushing, sensuous darkwave pop from tropic of cancer follow up to the two much-loved 10inchs on downwards, >the dull age< and >be brave< tropic of cancer is the la-based duo of camella lobo and juan mendez. mendez is best known as silent servant, venerable techno producer, former cytrax boss and core member of the sandwell district collective. with lobo he makes raw, visceral music in the loose tradition of minimal synth, post-punk, industrial and goth, produced with authority and a supremely evolved grasp of spatial arrangement.

8 bit continue their tradition of presenting the next names to break through in the german underground scene, with this new ep from rills. alongside the endless boulevards and among the industrial turins countless blocks, in the heart of mirafiori, two steps away from the factory of the italian motor city, rills grows up with metal beats and, in a town in a non stopping musical turmoil, falls in love with the electronic melody. we all know him from his great work with the >everybody ep< on the romanian label all inn records. rills is resident dj at club gamma and doctor sax, the most loved breakfast of turins electronic mornings.

cadenzas latest offering comes from swiss german duo laurent bovey & gregory poncet, more commonly known as digitaline. firm family within cadenzas realm of artists, digitalines latest >up and down my spine< ep is their fourth contribution to the increasingly impressive cadenza catalogue of experimental and meticulously produced electronic soundscapes. deep and chugging grooves, atmospheric spheres and industrial synth patterns are digitalines forté. up and down my spine is no exception to their uncompromising rule. a-side africa makes its grand entrance with a deliriously deep bass line belting from underneath its hazy atmosphere and pouncing crisply into cutting hi-hats and sweeping snares. the jerky rhythmic groove is determined from its first steps and contrasts impeccably with the sensual and stripped down vocal from diaraby nene by oumou sangaré. trickling over the top of a fierce and bouncing violin melody, the listener is catapulted into a woven cultural journey. africa is an encapsulating house track thats plethora of influences and appeal span worldwide. on the flip, the duos >shivers< is percussive and a clear companion for its counterpart, >africa<. made to sit effortlessly together, the same potion of heavy kicks, tribal essences and impeccable arrangement follow from one side to the other, coaxing our minds and bodies into digitalines intricate musical world

pittsburg, pennsylvania native and four year old sonic groove label resident realmz is back with his latest music endeavor >astral body” his latest 4 track offering seethes with futuristic sound designs layered perfectly over industrial technoid drum rhythms. with his past roots planted firmly in both industrial music and detroit techno, mr d atri knows a thing or two about crossbreeding both these styles as evident in his past releases. here within >astral body< you will find the perfect genetic mutation of industrial and techno...

the w (no relation to the us hotel chain) presents its debut ep on mako called >victim<.
the title track is a slow action blockbuster accompanied by the sexy industrial-type vocals. the track pays the ultimate homage to french electronics of the past couple of years.
also on the ep are the tracks >wrack<, the sinister cut-up distortion number which starts out with an evil hip-hop beat and then turns into a proper techno banger, as well as >arabic< which is full of sitars and psychedelic tension. makos in-house talent polymorphic provides a hot remix.
supported by: brodinski, mixhell, nt89, eriq johnson, evol intent, polymorphic, thomas von party, autodidakt, tony anthun, haezer, volatile, aerotronic ...

new spanish talent univac on bunker records, industrial/ebm mixed with dark robot electro, very menacing! black vinyl version.

wicked release on new industrial hardcore label styx recordings!

limited 5 track ep pressed on white vinyl.
karlmarx are brothers isaac aesili (aka karl) and mark mcneill (aka marx) from new zeeland. the >mists< ep is the first taster from their forthcoming fulllenght >the karlmarx project<. it is music from the drk side of the mon, fusing electronica, techno, synthpop, industrial, future soul and instrumental hip hop into something new and exciting.
karlmarx have enjoyed early support by benji b (bbc 1xtra) and lefto (brownswood). the song >mists< will also be featured on the forthcoming brownswood comp >lefto & simbad present worldwide family vol.1<

berghain resident norman nodge offers up his first full ep for ostgut ton with three contemplative tracks. expanding and contracting with countless subtleties and enriched with bold artistic license. >the happenstance< is an enthused explorations into the many musical zones existing outside of techno. a warm and fresh embodiment of 80s wave electronica - like a classic carpenter score - only a few elements are needed for his narrative to shine. the impression of distant melodies exist in purposefully excluded moments of rest, where nodge uses restrain rather than release to interact with our very perception of the music. a fuller club cut, >body to body< floats into spacious, acidic zones. with the impression of sinking into a disorientating, resonating industrial space, this snaking and hypnotic exercise takes us in a very different yet equally rewarding direction to its sweeter a-side cousin. an ornate exercise in reduction and challenging timing, >breakdown< is a slow and measured display of nodges unique synthesised visions. this short exploration piece is a brave and gritty suggestion of whats to come next from this talented producer

limited backstock on this great industrial techno / electro release from 2001 by richard polson & nick dunton (surface records).

2nd release by tropic of cancer aka camella lobo and john mendez (aka silent servant, sandwell district) for downwards brings more industrial drones and distorted voices. comes with a remix by richard h. kirk. pressed on clear/translucent 10 inch vinyl in stampnumbered cardboard sleeve. better be quick - the do2 from 2009 sold out in no time!

sonic groove welcomes berlin based friend, italian born producer dino sabatini to its family of artists. dinos brand of hypnotic industrial tech noise hit the spot with many last year with his double ep daughter of phorsys on killer techno imprint prologue, germany, a killer release that many top techno dj supported. now for his first release of 2011 dino continues exploration into the dark side of the industrial techno sonic groove with his four track small step ep. a masterpiece of deep dark electronic music ranging from peak floor burners to dark deep mind burners that techno & industrial lovers from around the universe will surely love.

a sound odyssey to stir you through the night. on the flip you will find reset robot adding weight to the undercurrents of the original and giving it a heavier, industrial point of view.

dokument .01 features two tracks of beatless inner city industrial ambient. >strung valve checkout< is a gorgeous 11 minute sequence of piano-fuelled drones. >dada fish sticks< is equally affecting, a lulling industrial classical mesh of sound with hints of melody. what makes this release particularly special is the combination of talents behind the music. dadavistic orchestra is a collaboration between the black dog and 3 former members of the psychick warriors of gaia. both are recognised innovators in electronic music who have been hugely influential and popular throughout their careers. the two groups have been close for many years, and their musical collaboration has evolved over the last year, with dokument 1 being just the first work to be released.

averse to any easy classification, rainbow arabias continent-trekking, kaleidoscope pop is rooted in no particular time or place, employing modern technological processes to an array of musical cultures and eras. the los angeles duo began with the purchase of a lebanese casio that played microtonal scales and eastern beats, with which they quickly recorded their propulsive first ep, the basta, synthesizing bossa nova and industrial post-punk with heavy middle eastern vibes. digging deeper for inspiration from the worldly found sounds of sublime frequencies compilations, their follow-up ep, kabukimono, expanded the color palette of their >fourth world< pop with dark, arabic disco-dancehall jams sitting alongside sunnier moments with caribbean and african flourishes...

shadow sync are back with their latest true techno, full analog release on krd. poles is marked by a percussive sound which despite its inharmonic character yet keeps a trace of tuning making it similar to a voiced percussion. this main sound is arranged to form a sort of pseudo-melody determined by the different intensity, lenght and color of the reverb tail. the 909 delivers both the drum line and the bass line, realized using the tom section. the background is populated by friendly, ceaselessly mutating sonic organisms. magnetic fields is a train rolling through dark, post-industrial landscapes. its built around a drastically eqed 909 tom, a nervous echoed clap and a cross-rhythmic, 3 against 4 hypnotic bass line which evolves in a bell-like sound towards the pause. the atmosphere is saturated with sound vapors and the temperature is dangerously high: play at your own risk!

the 2 first releases of db_24 (ac_02 & ac_03) were designed with splitted electro & techno sides.
the >urban works 3 ep< presents deep & powerful electro sessions by db_24.this special collector release features dark metallic bluish-gray monochrome cover and labels designed with industrial precision. the records are pressed with 180g natural translucent color vinyl.

repress !! blackest ever black is a new london-based label that seeks to re-establish electronic music as a poetic, provocative and emotionally inquisitive force. music by artists, not engineers. its first release is a self-titled ep by raime, a british duo who draw explicit inspiration from the marginal mavericks of early european goth, industrial and synth wave - artists largely omitted from the current master narrative of post-punk history, and who strove to make music at once cerebral and visceral, futuristic and atavistic. well-versed in the language of club music, but rejecting its typically rigid sequencing and arrangements, raime use technology pensively - to convey a sense of crisis, collapse and longing. transporting and disorienting though their work might be, its narratively taut and has no truck whatsoever with the cosmic, its too aggressive and engaged to be called psychedelic.

a1. (lars hemmerling : hedgehog in the fog) industrial sine waves meets frozen echo sculptures in dub, an intense bass journey from dub till dawn.... b1. (gunnar hemmerling : stranger ranger) :broken beat programming + dancehall bassline laid in an atmospheric enviroment / industrial alike soundscapes.

italojohnson starts the new year punctual with his third stroke. this record will have something suitable on it for everyone out there. without batting an eyelid, its crosseyed and selfconfident, looking at three different floors at the same time: the a-side focuses on the chicago house floor. it begins with a recognizable toolish sound. slowely but surely the theme of the track opens – the track works through a breakdown, a classic drum roll sneaks in and jack grabs again. the b1 provides an unusual turn on the third italojohnson production. theres no space for compromises here. the track stomps on the steam engine warehouse floor. a flowing acid hookline is settled in the industrial drumline and gives the track its meaning. the second track on the flipside completes the whole package and is destined for the late night hours. thats everything there is to say about this track – the strength and emotion can only be experienced by listening first hand. love, peace and happiness

northern structures (troels baunbæk-knudsen and lasse buhl) are a copenhagen based techno duo. troels has been making all kinds of electronic music since the age of 14 but focused mainly on a long international drum’nbass carreer under the excentric pyro moniker. lasse is a longtime dj and has been developing his own productions, with a background in soundscapes and organised noise. both share a love for the harder and deeper sounds of techno not often found in copenhagen, taking in a wide range of influences from the early uk industrial and dub tinged berlin sound to jazz, experimental electronica and rock. the ambition is to create a marriage of industrial and organic textures by avoiding strict rules of programming and aiming for more of a jam based musical playground feel.

sandy warez is a well-known name in the world of noise. working with a number of different artists, as well as solo he has had many releases on several labels over the years (4x4, artillery, cluster, combat-skill, compressed, corachi, corporation, d-form, djax up beats, epileptik, fatallic resignation, friendlyfire, future frontier, industrial strenght, inflicted, invasion, jackstar, jason mask, madhouse both in the genres of hardcore and techno. sandy is famous for playing a unique mix of techno-industrial-hardcore, compatible for both hardcore and hardtechno events. he plays at high bpm, but with a very uplifting vibe.

written & produced by regis & ancient methods .... raw & industrial like